Connections to the Past: Some Music You Don't Hear Now on the Radio from 1983 and 1984

There are studies* that suggest that music we listen to in our teens sticks with us forever. If that's the case, for me my critical years were 1983 and 1984, where I moved away from New Wave music and firmly planted myself on the Rock side of things. 

I spent the past couple of days listening to music from that time period, some of the stuff you never hear much today that got plenty of radio airplay back then and had a huge influence on me. No, I'm not going to pull out The Raisin's Fear is Never Boring again; it's in this post from some months ago.

I figured Planet P's Why Me is a good start. Although originally known as Planet P, Planet P Project is an alter ego of Tony Carey. This got extensive airplay on rock stations, and I think it actually made its way into an 80s compilation or two, but good luck trying to find it on a Classic Rock station today.

Given their outsized influence, The Yardbirds didn't actually play for that many years. But when three of the original members got back together and created the band Box of Frogs, rock stations took notice. Back Where I Started got extensive local airplay and featured guitar work from another ex-Yardbird, the late Jeff Beck, but hell if I could not find the album on cassette anywhere. 

I know that Bhagpuss will know this song, because it's Slade, but people my age in 1984 knew Slade more for being the band who originally wrote Cum On Feel The Noize that Quiet Riot covered and conquered the American Pop Charts with. So when Keep Your Hands Off My Power Supply** released here in the States, the album shot up the charts. Between Run Runaway (above) and My Oh My, the songs were in heavy rotation on rock radio as well as MTV.

Russ Ballard's Voices got airplay on MTV, but what really got people into this song was when it was featured in a 1984 episode of Miami Vice. 

Before you ask "how the hell can a Jefferson Starship song be considered obscure?", well... I give you No Way Out. It was the first song that I listened to on my brand new boom box back in 1984 by pure coincidence, because I turned it on and tuned it to the local rock station and there it was. Obviously today it's very much in the shadow of other Jefferson Starship songs, but it struck a nerve with me that continues to this day.

The Tubes' She's a Beauty was a one-two punch with Planet P's Why Me, because I frequently heard them close to each other on radio playlists. To a nerdy, shy, adolescent kid just exiting his tweens, it certainly seemed like they were singing directly to me with lines like:

You can look inside another world

You get to talk to a pretty girl

She's everythin' you dream about

Well, at least I can say that I know how to talk to women now.

 

*This one, from the University of Jyväskylä, I found quite fascinating. What they call the "cascading reminiscence bump" highlights that kids often form bonds with music and songs a couple of decades younger than them, which to my mind makes sense because they're listening to music their parents liked, which happen to be that average time differential. 

**That was the American title of The Amazing Kamikaze Syndrome, that was released in 1983 in the UK and Europe. It was released in 1984 in the US with a different name.

Here's my copy that I picked up in 1989
at a second hand store near the University
of Dayton that were selling old LPs for $2.