The Reincarnation

A couple of days ago I made a decision.

For some strange reason, I didn't get an initial
screencap. Oh well. Yes, this is a new Briganaa.

I decided that one way to combat the desire to rush to the end with four toons and do all the things was to start over with a toon that was most definitely blitzed through the process in 2021 and do it right this time in 2026.

After all, I have 9-12 months to go up 10 levels on 4 toons. So what's one or two more toons?

"Two. No more than two." --Gully Dwarf saying

As of Monday evening, my Questing Buddy was already at L68, so she basically went almost all the way to L70 in 4 days, most of that by spamming dungeon runs. By comparison, I'm happy to just be noodling around in the Old World, not rushing through anything. When I was asked when I was going to go over to Outland, I replied maybe in a couple of months. By then, everybody will be raid-logging, so I'll have the zones to myself.

That's not just hyperbole, as there's well over 20 Layers going in the evenings, which is kind of nuts.

This is what Nova World Buffs was able
to identify as separate layers on February 9, 2026.
The maximum number of layers they can observe
is 20, but given that this toon didn't have a layer assigned
meant there was ABOVE 20 layers active at this time.

***

If Blizzard wanted the WoW Classic community to put more money in their coffers, offering unlimited paid boosts was apparently the thing, as there were tons of L58 - L60 Blood Elves and Draenei out and about in the Old World prior to the opening of the Dark Portal. There were so many out there that I'm sure I was very much in the minority leveling a toon from scratch instead of simply boosting and heading out to Outland when the clock struck 6 PM EST on February 5th. 

This was right on top of of the Battle.net shop.
"Inspired by" my ass; they knew exactly what 
they were doing. This is as of February 9th, 2026.

Of course, Retail has Classic beat on the boost department, as unlimited paid boosts have been around for quite a while. 

I actually had to hunt for it in the Cash Shop, as it
was underneath the Pets, Transmog, and (in-game) toys.

However, the upcoming release doesn't have any new races or professions to power level or boost through paid services, so... I guess Classic's BE and Draenei invasion is "taking one for the team" in Q1 2026. 

I'm kind of prepared for the first time someone asks me why I didn't boost either of my toons. While it would be completely accurate to state that my budget won't allow it --$60 per boost is waaaaay too expensive for my taste-- my stock answer will be "If I'm not going to raid, why should I pay money to not play the game?"

Q: "Why not run dungeons?" 

A: "I don't run dungeons to power level. I run it to have fun, and my fun is not 'How fast can I make the thing go away', but to actually enjoy the scenery, the music, and the people while killing the baddies."

Q: "You'll be left behind if you don't."

A: "I was left behind the moment the Dark Portal opened and I didn't load up on a ton of quests to turn in like all the other min-maxxers. Unlike 2021, I was ready for the separation this time. I have accepted that."

***

You'd think --at least I did-- that my WoW friends wouldn't have prodded me about joining them in Outland like they did after the release of the Anniversary servers in November 2024, but nope. I had to have that conversation already once, and I expect I'll have to do it again once they reach max level and they start attunements for raiding. I expect them all to go and raid (my Questing Buddy will likely go all the way to Sunwell), but I've had my fill of raiding. In my experience, anybody who tells me they're a laid back and chill raid group are either self delusional, going to backslide into semi- to full-on hardcore raiding, or will get stripped for their best players by more hardcore raiding teams. I've played that game already and I'm not about to get emotionally invested only to get my heart ripped out again. 

(Or worse, watch a guild get torn apart by drama because people can't treat each other like adults. Or maybe that is the default behavior for adults these days. I sure hope not.)

Hmm... I kind of hope there will be a TBC Classic Era server or two, so that people like me who will stick around after the mob moves on can actually do some end-game content without any external pressures.

EtA: Apparently I can't spell 'pressures' right. Corrected.

Meme Monday: Valentine's Day Memes for 2026

Yep, it's that time of year again. I'll try to provide links if I can find them to the creators' stores, so if you want some of these cards you can order them from them.

From Celestial of the East.

From Goddasaurus on Imgur.

Have to have some Warhammer 40K Valentines.
From Idiot of the East and Sparrows and Lily,
although the link seems to be broken now.

From Someecards.

From ammatice via Pinterest.
They apparently have both a DeviantArt page
and a carrd.co page.

From Sparrows and Lily, which apparently is
yet another broken link. Alas.

The Crazy Still Lives

Yesterday, the WoW Anniversary Servers saw the Dark Portal open at 6 PM EST, heralding the start of TBC Classic, Anniversary Edition.

So... What did I do?

Stare at a Loading Screen for a while, because when you're playing around in the Blood Elf or Draenei Starting Zones, you're technically part of Outland.

And Outland was simply overwhelmed by people to the point where I was repeatedly kicked offline or had 10-20 second lag.

I don't even have a screencap of those (rather typical for Blizzard) moments because all of the screencaps I took didn't register. However, you'll have to understand that The Ghostlands were pretty empty compared to what Outland itself must have looked like.

Therefore, I shrugged and logged onto Azshandra for the first time in several months and screwed around a bit.

And gawked at some of the guild names people came up with:

Yes, that is a thing IRL. No, I'm not going to
tell you how I know, but when fifty something years
you reach, forbidden knowledge gained you have.

After roaming around for an hour or two and doing a few quests, I hung around in Stormwind to watch the substantially reduced crowd. Apparently nobody got the memo that world buffs were no longer quite as useful once you hit... L62? L63? because they were dropping like Halloween Candy. I joked that if you could simply stack world buff times on top of each other, at the rate the buffs were dropping I'd have well over 8-10 hours of a buff each.

My Questing Buddy was busy running dungeons*, and she claimed she was going to be doing it overnight, and others of my friends group were trying to pick up flight points in Outland and complete what quests they could. Only one other person was hanging around in the Old World, finally having the ability to level his Mining skill uninterrupted by swarms of bots and gold farmers.

But I was bored, and so I begged off after a while.

I've grown used to doing things my way, and I really don't like the crowds because all they do is get me agitated at the relentless pace. There really is no rush, but trying to tell MMO players that is an exercise in futility, so I don't.

At least not in Gen Chat or Trade Chat.

We've got some family activities planned for part of the weekend, so if I do get on the Anniversary Servers, it won't be for very long. I might even retreat to Classic Era for a while until the crazy dies down a bit and the lag is no longer so bad in the TBC zones, so I can go back to leveling a toon or two out of the Starting Areas and back into the Old World.

*She informed me that these dungeons were much easier now that she was in Naxxramas gear. Given that if my memory is correct that you don't replace Naxx gear until the very end of the leveling process (yes, it's that good), then she'll be able to store up a lot of gold simply by selling a ton of items to vendors.

EtA: Corrected some grammar.

Who's Training Who?

If you're like me, you've recently had to have some "training" at work concerning AI.

I'm not talking about the training my son had when he first arrived at grad school, where he learned how to spot AI generated work that students would pass off as their own, but the basics of using AI to "improve workflows" and to "increase productivity".

Oh yes. I believe it's a sign of the apocalypse that when your employer wants you to learn something, said something is about to implode.*

Anyhoo, I was thinking about all of that training over the weekend when this YouTube video dropped in my lap:

Now, I'll be up front is that I find Brandon Sanderson likeable and engaging as a person, or at least how he presents himself online, but I'm not the biggest fan of his work. I liked Mistborn and The Well of Ascension well enough, but the concepts that he'd put forth in The Stormlight Archive really don't appeal to me. We also disagree on the genius behind Robert Jordan's Wheel of Time series, because he really thought those middle books --where I and a bunch of other readers finally had enough-- were much better than we gave it credit for.**

I'm not personally acquainted with Brandon either, but I have enjoyed his class on writing SF&F. There's actually two versions of the class on YouTube, last years and one about 3-4 years ago. To be honest, both are worth watching if you want to get a feel for the nuts and bolts (and the business) of writing in my favorite genre.

All that being said, I really found his keynote address from the Tailored Realities release event at Dragonsteel Nexus 2025*** quite interesting, and I found I did agree with it on a lot of points. I'm more of a Original Series Star Trek fan myself, but I do appreciate his comparisons of Data and his ongoing desire to become human in the series as a reference point to what separates current levels of pseudo AI from what most people would consider art. But more than anything else, what resonated with me was that art is a transformational process: the creation of art also changes us, and the more we remove ourselves from that process by the insertion of AI into the mix the less we are transformed as well. 

That doesn't mean that we can't be transformed by creating AI art, but our isolation from the creative process makes it harder for us to be transformed. After my "training", I've compared what's known as vibe coding as basically what a non-technical boss thinks that coders do when they provide a design document. Instead of taking a framework created by your prompt and then coding in all of the details, vibe coder instructions are to instead "refine your prompts so that you get what you want that way". To me, that's equivalent of the old Pointy-Haired Boss from Dilbert trying to tell the engineers how to do their job.

Holy crap. This was in 1995? Yikes.

It also gives new engineers and coders a false impression of how to write code. You need to learn to fail before you can succeed, and vibe coding bypasses all of that knowledge by eliminating the skill development process. It's great if you're an experienced coder, you're in a rush, and you already know what you want, but to do regular work on an ongoing basis? You're reducing the code writing process to "just give it a few words and let it do the job". 

I suppose I could boil down a lot of the "promise" of AI to this: it lets MBAs think they can be engineers or scientists, without them realizing that the their own job could be replaced as well.

*Back in 2000, my then employer's CEO called all of the development staff together for an all-hands meeting. The late 90s, if you'll recall, were the high-flying days of the OG Dot Com boom, and it was all "internet this" and "internet that". So, when we were brought together despite the push to get the current version of our software out the door, we joked half-heartedly that the CEO was going to announce we were going to be an internet company.

Lo and behold, he actually did just that. We were going to put our mid-range CAD/CAM/CAE software, which was so hefty that it could barely run on the best Windows XT servers at the time, on the internet as a browser-based product.

We were all stunned. The network throughput on the internet wasn't up to the task, and more importantly neither were the browsers themselves. It was an idea 20 years ahead of its time, perhaps, but it was also a harbinger that within the year the Dot Com bubble burst and the stock market imploded.

**I also thought that Robert Jordan could have used an editor who reined some of his worst impulses in, such as his tendency to overdo it on the language and description. I mean, I'm not the greatest writer of description in the world, but I really do think that RJ was really just padding his page count at times.

***In case you wondered where the Keynote part of the title is about; I know I sure did. Here's a blog post of the speech itself from Brandon's website.

Metalheads and WoW Fans, Arise

The CurseForge graphics for World of Warcraft were updated more quickly this time around than in the War Within expansion:

Screencap from CurseForge as of Feb 2, 2026.

As I took in the graphic, I noticed something. Apparently someone at Blizzard is a fan of the metal band Disturbed, because there's some similarities between this graphic of a void monster and Disturbed's mascot, The Guy:

From Pinterest. Not sure if this is
an official graphic or not.

You know, just add some blue or purple in there, remove the muscular hand and arms, and...

Yes, yes, I realize that there's also similarities between those two and Venom:

The cover of Venom: The Saga of Eddie Brock.
Graphic Novel Volume 1. From ComicHub.

It's mainly in the teeth and the darkness, but I'm sticking with The Guy first because that's what popped into my head before Venom did. (Sorry, Marvel.)

Now, if you'll excuse me, I think I'll go listen to Disturb's cover of Genesis' Land of Confusion, featuring The Guy...

Meme Monday: Raspberry Pi Memes

For all of my years puttering around computers and IT, I've never built a Raspberry Pi.

Until now.

I built one to power what's known as a Hamclock* that amateur radio hobbyists use to keep an eye on contact listings, what amateur radio bands are open (it's a shortwave/High Frequency thing, just roll with it) and what solar activity is.

Oh, and it has a nice graphic of the earth showing parts of the earth that are in daylight or night:

This is DL1GKK's Hamclock, which looks much
more detailed that the graphic I have. From DL1GKK.

Geochron makes those as well, but the digital ones cost $500 and the physical machines cost much more than that. My Hamclock is basically the cost of the Raspberry Pi, parts to put it together, and a spare monitor and/or keyboard + mouse.

Anyway, I figured I'd put Raspberry Pi in this week's Meme Monday.

Okay, let's get the low-hanging fruit
out of the way. See what I did there?
From Instagram.

And yes, this is another popular meme type.
From ifunny.co.

When the most current powerful version
of the Raspberry Pi came out, the Raspberry
Pi 5, it was a bit difficult to find one in stock
at first.  From Zuyun Zeng.

Again, unless you're in the know (and
you are now) this would kind of make sense.
From Memedroid.

Apparently Raspberry Pi enthusiasts are a bit
excited about their hobby. From Memedroid.

But just like any other electronics project, you
can go down the multi-week rabbit hole
when you start on a new Raspberry Pi project.
From imgflip via Medium.

*Because of course ham radio would be involved.

Gaining Perspective Years Later

Once in a while I'll hear a song I haven't heard in decades, and I'll suddenly realize that I'd missed a critical part of what the song meant. 

Take for example, the Michael Martin Murphey song Wildfire...

This song came out in 1975, and it was one of those Folk songs that skirted the edge of the Country/Western genres and Folk Rock genres. I'd heard it on the radio in the 70s, but outside of the refrain it never resonated with me very much. Until I stumbled on it a few months ago, I probably hadn't heard it at all since the early-mid 80s, because the only person I knew who listened to Country on the radio was my dad's mom, and I tried my damnedest to avoid listening to it whenever I visited.*

It had popped up on my YouTube feed, and I stared at it for a good 5-10 minutes, trying to remember the song, but I finally gave in and clicked it. 

The song sounded familiar, but the lyrics certainly weren't. It was only when the refrain came on that I realized I did remember the song after all.

Even more than that, after a few critical listens, I realized it wasn't a love song at all, but a ghost story. The first verse doesn't give anything away, but that the lyrics are in present tense imply something current. It's when the second verse kicks in and switches to past tense that you realize that the girl and horse mentioned in the first verse are actually ghosts. The third verse provides the grounding of a failed crop, and as the cold (and presumably hunger) has crept in, the owl heralds the ghost horse and rider coming for the singer as essentially a harbinger of death.

Pretty grim stuff wrapped up in a mellow sounding song.

***

Sometimes I'll hear a voice or an instrument in a song, and I'll say "I know I've heard that before, but I don't know where."

Again, I'm going to pull the 80s out of a hat and mention late Genesis guitarist Mike Rutherford's band, Mike + The Mechanics. 

I could have picked out any of their songs, but I figured that The Living Years would do. Mike's guitar is pretty identifiable, but I want to focus on his vocalist, Paul Carrack. 

Paul had a nice solo career, and I had recognized his voice from the song "Don't Shed a Tear" that was released a year earlier in 1987...

...and he's also known for his time in the band Squeeze, but I was completely unprepared for something over three decades later.

For some strange reason I'd fallen down the rabbit hole of listening to what was then called Soft Rock and is now called Yacht Rock when I stumbled across this song...

I knew that song by heart, because my parents would only play Soft Rock in the house when I was growing up.** However, when I listened to it a couple of years ago for the first time since the late 80s, I realized I knew that singer's voice. It took me a few months of rummaging through my CDs and songs on YouTube, but when I realized that it was the same Paul Carrack from Mike + The Mechanics, I was completely floored in the same way when I heard Bad English in the late 80s for the first time and I instantly recognized John "Missing You" Waite's voice.

Funny how that works.

*Because I was into all sorts of Rock, Heavy Metal, and New Wave at the time. 

**Yes, it was Cincinnati's WARM 98, WRRM-FM 98.5.

EtA: Mike Rutherford is actually still alive. It was the manager for Genesis, Richard Macphail, who'd passed away in 2024. Whoops. I have since corrected the post.